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Re-print ColumnsRe print is a series exploring how ceramic surfaces preserve and obscure storytelling. Using a glaze printing method developed during her MA at the Royal College of Art, Helena Lacy layers and reinterprets classical blue and white porcelain imagery, using its familiarity, and questioning how visual histories are retold. The work reflects her interest in hidden narratives and how memory and place are embedded in all objects. Through the distortion of

shared visual statement

as a subjective way of reproducing things

Figures in various emotional states encircle a tiered

paper's sensitivity to light and variability of the home made developer make this technique incredibly exciting as well as frustrating

where scribbled notes and underlined passages reveal immediate responses to the first time it was read

Culver transforms the act of image-making into an embodied encounter

and the idea that we are only ever dealing with fragments

This is one of a series of paintings on canvas and on paper that use the visual language of landscape painting in a non-representational way to explore colour and composition

The Water Drawing series explores the tension between the tangible and intangible

The tensions between beauty and horror are negotiated in an attempt to achieve a charged sensory encounter

This piece is based on my first experience with film and in some ways my introduction to how film seeps into our dreams

which has become more relevant in the age of digital manipulation

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