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Description

Life In the MinusLife in the minus a title from a song can symbolise our future selves, a transformative body elongated, genderless androgynous, this figure reflects past, current and future bodies. Languid, and full of sorrow. The figure questions the viewer is this it? Objectification and how we see the body, with body parts removed erased, hollow and empty, pertaining the current status the world is in where the body feels unable to do anything about the status

The apple provides a tool

whilst this portrait is whimsical

mysterious sanctuary of subconscious power

Lunar Crossings is loosely based on a scene from a Tarkovsky film called "Ivan's Childhood"

The title is borrowed from the brand on the rubber

The painting happened very naturally

This drawing is the ideal resolution

obscuring and further abstracting the image beneath

There is a certain uncanniness

its form draws from the turbulence of crashing waves and the cascading flow of Southeast Asian waterfalls

where even the most depleted landscapes can be reclaimed by nature and transformed into new life

1 of a series of collages reflecting on both real and metaphorical journeys